WEKO3
アイテム
Austenの小説とShakespeare喜劇の比較研究
https://tokushima-u.repo.nii.ac.jp/records/2000821
https://tokushima-u.repo.nii.ac.jp/records/20008219d2ed29d-c539-43e2-8133-6d30df0428e2
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00004801903.pdf (1.1 MB)
|
|
| Item type | 文献 / Documents(1) | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2011-03-14 | |||||||||||
| アクセス権 | ||||||||||||
| アクセス権 | open access | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| 出版タイプ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
| タイトル | ||||||||||||
| タイトル | Austenの小説とShakespeare喜劇の比較研究 | |||||||||||
| 言語 | ja | |||||||||||
| タイトル | ||||||||||||
| タイトル | Austen ノ ショウセツ ト Shakespeare キゲキ ノ ヒカク ケンキュウ | |||||||||||
| 言語 | ja-Kana | |||||||||||
| タイトル別表記 | ||||||||||||
| その他のタイトル | A Critical Comparison of Austen and Shakespeare | |||||||||||
| 言語 | en | |||||||||||
| 著者 |
湊, 純子
× 湊, 純子
× 瀬尾, 勲夫 |
|||||||||||
| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | Jane Austen's novels were written when the English novel was developing, so it is clear that Austen absorbed various elements of literature of her age and created the original style of her own. In Austen's novels there exists the conspicuous factors of plays in the Elizabethan Age. Indeed, Austen had enormous enthusiasm for plays of Shakespeare, who was one of her favorite dramatists. Shakespeare's comedies greatly contribute to Austen's cultivation of her comic spirit and selecting the main theme in her novels, or self-discovery. This essay is concerned with a critical comparison of Austen's novels and Shakespeare's comedies, especially comparing Emma with Twelfth Night, and Pride and Prejudice with Much Ado about Nothing. Both Austen and Shakespeare write their works about mistaking pretence for truth, which are described comically and vividly. By the way, there are two kinds of mistaking pretence for truth in Austen and Shakespeare. Many comic characters or fools in their works make these mistakes, but they do not go through the inner changes by these mistakes, so they cannot awake from their illusions in the essential meaning, while heroines, even if they mistake pretence for truth in the same way, can realize their inner changes through these errors. As a result, heroines can attain self-awareness or self-discovery from delusion, which is the most important theme of Austen and Shakespeare. | |||||||||||
| 言語 | en | |||||||||||
| bibliographic_information |
ja : 言語文化研究 巻 12, p. 1-16, 発行日 2005-02 |
|||||||||||
| 収録物ID | ||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||
| 収録物識別子 | 13405632 | |||||||||||
| 収録物ID | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AN10436724 | |||||||||||
| 備考 | ||||||||||||
| 言語 | ja | |||||||||||
| 値 | 公開日:2010年1月24日で登録したコンテンツは、国立情報学研究所において電子化したものです。 | |||||||||||
| item_1723180141928 | ||||||||||||
| 識別子 | 122410 | |||||||||||
| 識別子タイプ | URI | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
