WEKO3
アイテム
Der japanische Film : Von der Einführung des Mediums bis zum Ende des Zweiten Weltkriegs
https://tokushima-u.repo.nii.ac.jp/records/2008482
https://tokushima-u.repo.nii.ac.jp/records/2008482bdc77697-f1b1-4f87-94bc-f1c5745930bb
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jll_28_3.pdf (703 KB)
|
|
| Item type | 文献 / Documents(1) | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2021-01-07 | |||||||||||
| アクセス権 | ||||||||||||
| アクセス権 | open access | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| 出版タイプ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
| タイトル | ||||||||||||
| タイトル | Der japanische Film : Von der Einführung des Mediums bis zum Ende des Zweiten Weltkriegs | |||||||||||
| 言語 | de | |||||||||||
| 著者 |
シートゲス, オラフ
× シートゲス, オラフ
WEKO
778
|
|||||||||||
| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | The article first covers pre-war silent film in Japan and describes the introduction of the new medium at the beginning of the 20th century. The main focus is on the relationship between Japanese silent films and traditional theater, the role of film narrators (benshi) and the attempts of Japanese filmmakers to establish film as an independent art. The article then moves on to the further development of Japanese films about historical (jidaigeki) and contemporary society (gendaigeki), containing analysis of different film genres such as Japanese tendency films (keikô eiga) which were a reaction to the worsening economic situation of large parts of the Japanese population at the end of the 1920s. The text then deals primarily with the introduction of sound in film and the further development of the Japanese film industry during the 1930s, while the counrtry underwent a political radicalization and militarization which led to the participation of Japan in World War 2. Finally, the text analyses the circumstances under which the Japanese film industry produced films during World War 2 when film production was severely restricted by the guidelines of state censorship. | |||||||||||
| 言語 | en | |||||||||||
| 書誌情報 |
ja : 言語文化研究 en : Journal of Language and Literature 巻 28, p. 47-138, 発行日 2020-12-28 |
|||||||||||
| 収録物ID | ||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||
| 収録物識別子 | 2433345X | |||||||||||
| 収録物ID | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AA12844300 | |||||||||||
| 出版者 | ||||||||||||
| 出版者 | 徳島大学総合科学部 | |||||||||||
| 言語 | ja | |||||||||||
| EID | ||||||||||||
| 識別子 | 378664 | |||||||||||
| 識別子タイプ | URI | |||||||||||
| 言語 | ||||||||||||
| 言語 | deu | |||||||||||
