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ハーディの『恋の霊』と谷崎の『痴人の愛』 : プラトニズムの周辺
https://tokushima-u.repo.nii.ac.jp/records/2000841
https://tokushima-u.repo.nii.ac.jp/records/2000841195bacce-7d71-4793-b722-866cb4298e0c
名前 / ファイル | ライセンス | アクション |
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Item type | 文献 / Documents(1) | |||||||||||
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公開日 | 2011-03-14 | |||||||||||
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アクセス権 | open access | |||||||||||
資源タイプ | ||||||||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
資源タイプ | departmental bulletin paper | |||||||||||
出版タイプ | ||||||||||||
出版タイプ | VoR | |||||||||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
タイトル | ||||||||||||
タイトル | ハーディの『恋の霊』と谷崎の『痴人の愛』 : プラトニズムの周辺 | |||||||||||
言語 | ja | |||||||||||
タイトル | ||||||||||||
タイトル | ハーディ ノ コイ ノ レイ ト タニザキ ノ チジン ノ アイ : プラトニズム ノ シュウヘン | |||||||||||
言語 | ja-Kana | |||||||||||
タイトル別表記 | ||||||||||||
その他のタイトル | Hardy's The Well-Beloved and Tanizaki's Chijin no Ai : From the Viewpoint of Platonic Idealism | |||||||||||
言語 | en | |||||||||||
著者 |
宮崎, 隆義
× 宮崎, 隆義
WEKO
1052
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抄録 | ||||||||||||
内容記述タイプ | Abstract | |||||||||||
内容記述 | Both Thomas Hardy and Tanizaki Jun'ichiro were known to be interested in Platonic Idealism at one time. Hardy's unique novel, The Well-Beloved, is a record of Jocelyn Pierston's obsessive love of Avice Caro: he seeks after his 'Well-Beloved,' an epitomized ideal of woman, which incarnates in various women's bodies. His firm conviction at the age of twenty of the embodiment of his 'Well-Beloved' in Avice the first is carried over to Avice the second (Avice the first's daughter) and then Avice the third (Avice the first's granddaughter) in his forties and in his sixties severally for long twenty years. His inclination strongly resembles Joji's infatuation with Naomi in Chijin no Ai from the viewpoint of Platonic idealism. Joji's intention is to bring up Naomi, a girl of fifteen years old and waitress at a cafe, as an ideal lady with much accomplishments. His intention is to put his ideal of woman into Naomi's white beautiful body ; her face and body look Western or Eurasian. Against his intention, Naomi turns to be merely a silly enchantress. In both cases the most interesting point is that photographs as the record of the past and momentary aspects of faces and fractions of the real faces and bodies work as apt means to conjure up their own ideal woman in their mind. Pierston and Joji most tenaciously seek after their own ideal woman through the incarnated media as Avice the second and the third, and Naomi. And also Tanizaki is known to be a dedicated story-teller, establishing the first person narration in Chijin no Ai, which literary method is compared with Hardy's idea of tale as a story-telling art. A new vista might be opened for appreciating each author's literary inclination by contrasting the works which show Platonic idealism. | |||||||||||
言語 | en | |||||||||||
キーワード | ||||||||||||
言語 | ja | |||||||||||
主題Scheme | Other | |||||||||||
主題 | 谷崎潤一郎 | |||||||||||
書誌情報 |
ja : 言語文化研究 巻 14, p. 1-16, 発行日 2006-12 |
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収録物ID | ||||||||||||
収録物識別子タイプ | ISSN | |||||||||||
収録物識別子 | 13405632 | |||||||||||
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収録物識別子タイプ | NCID | |||||||||||
収録物識別子 | AN10436724 | |||||||||||
備考 | ||||||||||||
言語 | ja | |||||||||||
値 | 公開日:2010年1月24日で登録したコンテンツは、国立情報学研究所において電子化したものです。 | |||||||||||
EID | ||||||||||||
識別子 | 153560 | |||||||||||
識別子タイプ | URI | |||||||||||
言語 | ||||||||||||
言語 | jpn |