WEKO3
アイテム
‘A Changed Man’の語り手と物語の技巧
https://tokushima-u.repo.nii.ac.jp/records/2002406
https://tokushima-u.repo.nii.ac.jp/records/2002406e681dadd-2b37-49a4-b573-d880a6b7ac6c
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
LID201407172002.pdf (1.17 MB)
|
|
| Item type | 文献 / Documents(1) | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2014-07-17 | |||||||||||
| アクセス権 | ||||||||||||
| アクセス権 | open access | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| 出版タイプ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
| タイトル | ||||||||||||
| タイトル | ‘A Changed Man’の語り手と物語の技巧 | |||||||||||
| タイトル | ||||||||||||
| タイトル | A Changed Man ノ カタリテ ト モノガタリ ノ ギコウ | |||||||||||
| タイトル別表記 | ||||||||||||
| その他のタイトル | The Narrator and the Narrative Technique of ‘A Changed Man’ | |||||||||||
| 著者 |
宮崎, 隆義
× 宮崎, 隆義
WEKO
1052
|
|||||||||||
| 抄録 | ||||||||||||
| 内容記述 | ‘A Changed Man’ (1913) by Thomas Hardy (1840-1928) is an interesting short story in terms of narrative techniques. A supposed omniscient narrator who illogically avoids the responsibility of telling the whole truth throughout the story by asserting that ‘the man in the oriel’ solely gives all the facts tells this story. As a handy-capped man who cannot go out without a wheelchair, this man gets familiarized with the episodes prevalent in the small town in a very limited way through the talk with his friends. Through the eyes of ‘the man in the oriel’ as a point-of-view person, we readers ‘see’ the places whereon the drama between Laura and Captain Maumbry is played. With the fragmented information given by the omniscient narrator along with ‘the man in the oriel’ who naturally enough acquires the information about Laura and Captain Maumbry from his friends, we are supposed to get together the fragments of information and reconstruct the whole aspect of the drama. This unique method seems to approach in a sense the modernity method in the twentieth century fiction. Along with this uniqueness of narrative, the sensationalistic climax in the story leads us readers to the ambivalence of ‘changed’ in the title ‘A Changed Man’; that is, ‘a changed man’ could be ‘a man who has changed,’ or ‘a man who has been changed,’ or even ‘a man who has changed others.’ This ambiguity seems to deepen and widen the construing of this story. These techniques may be anticipating some aspect of the modernity novel in the 20th century. In this paper some aspects of modernity in ‘A Changed Man’ are discussed in relation with the narrative techniques. |
|||||||||||
| 書誌情報 |
ja : 言語文化研究 巻 21, p. 23-36, 発行日 2013-12 |
|||||||||||
| 収録物ID | ||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||
| 収録物識別子 | 13405632 | |||||||||||
| 収録物ID | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AN10436724 | |||||||||||
| EID | ||||||||||||
| 識別子 | 282865 | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
